It is undoubtedly a tune of excitement, or at least curiosity, for fans of the X-Men characters to see what turns the movie franchise takes with origin stories. As expected, massive liberties are taken with every mutant and while some are clever and others contrived, a few are reworked from the ground up to the point that they're recognizable only by name to their comic book counterparts. It may be admirable to blend mutant lore into world history to fabricate realism, but is battling Nazis and contending with the Cuban Missile Crisis the best way to do so? Perhaps it's preferable to create more plausible explanations for certain character traits (having an angry space alien crush Professor X's legs might not be palatable for today's audiences), but tampering with historical events is always a little difficult to accept. Even excusing all such alterations in the space-time continuum, the oftentimes explosive action sequences can't mask the silliness and pointlessness of many of the newly introduced mutants. We're talking to you, dragonfly girl and sonar boy.
A prequel to both X-Men Origins: Wolverine and the original X-Men trilogy, First Class explores the beginnings of telepathic genius Charles Xavier (James McAvoy) and metal-manipulating mutant Erik Lehnscherr (Michael Fassbender) and their ascension to becoming founders of the X-Men. When the CIA calls upon Xavier to aid in stopping the machinations of madman Sebastian Shaw (Kevin Bacon), Erik joins his cause with vengeful motives of his own. When the two begin recruiting new mutants to train for the eventual confrontation with Shaw and his band of superhuman cohorts, a rift in ideals develops that will give rise to the creation of Magneto and the Brotherhood of Mutants.
X-Men: First Class does an outstanding job of setting into motion all of the events and themes that frequent the original movie trilogy. It should be noted that failure to have watched the first three movies, or at least acquiring a basic knowledge of the X-Men history, will come as a great disadvantage, as this origins movie is poignantly and humorously taking advantage of all the elements previously defined in films taking place chronologically in the future. With the large number of mutants both old and new, it's surprising how well everything ties together (save for a training montage involving gene manipulation and research, the creation of technologically advanced mechanisms, and honing mental serenity, stated to have taken a mere week). Unfortunately, as so much of the screenplay focuses on introductions and designs to match a separate movie, the entertainment value relies almost entirely on those connections, a few intense scenes of destruction and special effects, and the strained relationship between Xavier and Lehnsherr.
A prequel to both X-Men Origins: Wolverine and the original X-Men trilogy, First Class explores the beginnings of telepathic genius Charles Xavier (James McAvoy) and metal-manipulating mutant Erik Lehnscherr (Michael Fassbender) and their ascension to becoming founders of the X-Men. When the CIA calls upon Xavier to aid in stopping the machinations of madman Sebastian Shaw (Kevin Bacon), Erik joins his cause with vengeful motives of his own. When the two begin recruiting new mutants to train for the eventual confrontation with Shaw and his band of superhuman cohorts, a rift in ideals develops that will give rise to the creation of Magneto and the Brotherhood of Mutants.
X-Men: First Class does an outstanding job of setting into motion all of the events and themes that frequent the original movie trilogy. It should be noted that failure to have watched the first three movies, or at least acquiring a basic knowledge of the X-Men history, will come as a great disadvantage, as this origins movie is poignantly and humorously taking advantage of all the elements previously defined in films taking place chronologically in the future. With the large number of mutants both old and new, it's surprising how well everything ties together (save for a training montage involving gene manipulation and research, the creation of technologically advanced mechanisms, and honing mental serenity, stated to have taken a mere week). Unfortunately, as so much of the screenplay focuses on introductions and designs to match a separate movie, the entertainment value relies almost entirely on those connections, a few intense scenes of destruction and special effects, and the strained relationship between Xavier and Lehnsherr.
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